The Running Man (1963) **

Could have been a nifty caper/thriller along the Spanish Riviera with three top actors but it's ineptly paced and scripted so it's a slog.

The Hill (1965) ****

Terrific existential drama about the complicity of the powerful and the powerless. Top notch direction, lighting, acting and a sharp script. Tough to watch but rewarding.

Damn the Defiant! (1962) ***

Better than that other mutiny flick from 1962. Beautifully filmed, produced, acted and efficiently directed.

Black Bag (2025) **

Loved everything about this sleek, stylish spy-vs-spy flick except the unfathomable way Soderbergh chose to film the interiors.

The Last Waltz (1978) **

Unfortunately not as much of a lasting influence on how to film a live rock concert as one would have hoped. Scorsese deftly directs but it helps to be a fan of "classic rock".

Dead Ringer (1963) ***

A large amount of disbelief must be suspended in watching this convoluted flick but the rewards are the iconic Ms Davis and some fine b/w cinematography. Pete Lawford is a hoot.

Crossing Delancey (1988) ***

Peak Amy Irving in a mostly sensible rom-com. Well cast and smartly shot.

Murder by Contract (1958) ***

Vince Edwards is terrific as the enigmatic assassin in this stylish low budget noir. Unusual, interesting script.

Port of Shadows (1938) ***

Boffo last third saves the picture from becoming a parody of itself. Michelle Morgan and Jean Gabin make an iconic screen pairing.

Odds Against Tomorrow (1959) ****

Bob Wise directs yet another top notch flick, this time a tough, gritty, hard-hitting heist-noir. Stellar cast and superb script.

Rumble Fish (1983) ****

Francis directs the heck out of a terrific cast. Beautifully shot and composed with inventive in camera effects. Stylish, clever production design.

Late Spring (1949) ***

Setsuko Hara is radiant in a touching story of a daughter's devotion to her widowed father in post war Japan.

The Bitter Stems (1956) **

Nicely shot noir with maybe too many twists suffers from the poor acting. Nifty dream sequence.

River's Edge (1986) ****

Perfectly cast and well scripted youth noir that often gets to unexpected depths. Keanu actually helps here.

Forbidden Planet (1956) ***

Unfortunately quite dated script mars the overall production which is very well done. Probably the first sci-fi flick that a studio took seriously and produced it seriously. Beautifully made.

Suzanne Vega brings 'Old Songs, New Songs and Other Songs' tour to Ithaca for sold-out show

Q: At this point in your career you have a bunch of songs that could be considered your greatest hits, which you’re sort of obligated to play at your shows. But what are your thoughts on playing some of those older songs, some of which are almost 40 years old? Do you relate to them any differently? Do you still like playing them? Or are you tempted to change them up and do them differently?

SV: Oh, no, I'm not. Who needs to reinterpret the old material? That thing that Bob Dylan does is not for me. I like doing the old ones, and I do them sincerely, each time. A song like “Gypsy,” which I wrote when I was in my teens, I still feel it every time I sing it. It's about young love and first love and that's the reason to keep singing it because it sort of brings you back to that moment in time. So I love it.

Never Open That Door (1952) **

Argentinian portmanteau noir is well made but the effect is like watching a couple of good episodes of Alfred Hitchcock Presents.

Chilly Scenes of Winter (1979) **

Hard to watch but well made drama about a one way love affair and its effects. Nice to see Gloria Grahame in one of her final roles.

To Live and Die in L.A. (1985) ***

Starts off as almost a parody of an 80's cop actioner but gradually sucks you into its orbit and wallops you in the end. Terrific cast, beautifully shot.

The Outfit (1973) **

Top cast helps this gritty hoods v. hoods 70's revenge noir.