You never let David Thewlis’ Michael Stone off the hook for some really unhealthy behavior. He’s a fascinating trainwreck of a character. Were you ever tempted to make him more more instantly relatable or, dare I say, likable?
Kaufman: I would never be involved in any production that would try to make any character more likable. This goes back to the thing I said just previous to this. It’s the wrong thing to do. It’s thinking about the eventual audience and not the work that you’re doing. Not being true. We had zero conversations about making anyone likable. I think some people are more likable than other people in this movie. You say this is damning of Michael and I feel that’s your interpretation of it. I’m not saying you’re wrong. In fact, I’m saying you’re right. That’s your interpretation of it. That’s not the only interpretation of it. That’s an interpretation of it. I try, and Duke tries, to have things be layered enough that what you bring to it as a viewer is supported. Your interpretation is going to be supported. This movie doesn’t come to any conclusions about anything. It puts Michael through a weekend. From his point of view, you get to see that weekend.