Foreign Intrigue (1956) **

Colorful, globe trotting whodunnit leans heavily on Bob Mitchum's star power and Ms. Thulin's looks. A bit convoluted.

The Set-Up (1949) **

Goes a bit overboard with the cutesy, but delivers in the ring. Nice to see Bob Ryan in a lead for a change.

The Man Who Knew Too Much (1956) ***

Upon repeated viewings this thriller becomes more of a portrait of an unhappy marriage near collapse. Hitch relies a little too much on the obvious rear projection shots, but still some masterful sequences of near silent cinema.

Rachel and the Stranger (1948) **

Pleasant enough Hollywood western features a couple of stars having fun and a brisk pace.

Easy Rider (1969) ***

Despite some laughable "experimental" editing and a rare awful Nicholson performance, this is a thoughtful, well made road movie with some meat to it. Superlative cinematography by the great Lazlo Kovacs, and an unflinching script.

Michael Clayton (2007) ***

Excellent cast in a well written Mamet-esque legal whodunnit. Clooney was never better.

Why John Waters, the Pope of Trash, keeps returning to the Bay Area

SFGATE: Anything else you think our readers should know about?

Waters: Other than, “Come to the Mosswood thing!” that’s the best I can do. I do Camp John Waters [a summer camp for adults], which is sold out. That’s in Kent, Connecticut. About 500 people come and live as my characters and live their lives for four days. We have guest counselors every year — this year it’s Deborah Harry and Colleen Fitzpatrick, who played her daughter in “Hairspray” and went on to be Vitamin C, the pop star. It’s really amazing. People have contests, we speak, we have dinners. Then I do a 20-city Christmas tour, so I’ll be back with a musical. I’m writing that. I’m writing new shows. I’m so busy, I think I’m overexposed. Maybe you shouldn’t hear about me for a while.

Casablanca (1942) **

Ms. Bergman lights up the screen and there's some nifty one liners in the dialogue but it's too long and the acting quality varies wildly.

La Notte (1961) **

A day in the life of a couple breaking up. Ms. Vitti and Ms. Moreau make it watchable.

Hustle (2022) **

Leans heavily on the sturdy Hollywood sports flick structure but keeps it interesting with real NBA stars as actors.

The Big Picture (1989) **

A gentle cautionary tale for aspiring filmmakers features some terrific performances, tons of big star cameos and a witty, humane script. The only drawback (and it's a big one since he's the lead) is Mr. Six Degrees Of Separation.

People Will Talk (1951) *

Not even Cary can rescue this bizarre attempt at depicting human behavior which fails miserably. Not one character in this film would ever be confused with an actual human being.

Licorice Pizza (2021) ***

Visual tone poem to being 15 in the 70's in general and in the San Fernando Valley in particular, is thoroughly enjoyable for viewers d'un certain age. Captures the vibe and the look to a certain extent with a terrific soundtrack. Game cast is excellent.

Five Graves to Cairo (1943) **

Well made play adaptation (unusual for a WWII spy story) marred by the unnecessary and overlong epilogue.

Interceptor (2022) *

Ms. Pataky looks great in a wife-beater.

Bell' Antonio (1960) **

Thoughtful exploration on how we handle love and sex. Poor quality cut obscures the well composed scenes.

Jeffrey Sachs Lays Out Possible Lab Origin of Covid

Still, both the overlap in the amino acid sequence and the fact that experts in the furin cleavage site of the ENaC-alpha and insertion of genetic material into bat coronaviruses work at the same university could be coincidental, as Harrison and Sachs acknowledge. Some virologists, though, say that the coincidence strains credulity.

“Could be,” Richard Ebright, a molecular biologist at Rutgers University, wrote in an email to The Intercept when asked about the possibility that these things are both chance occurrences. “But the list of coincidences is getting verrrrrrrrrrry long.”

Ebright, a proponent of investigating the origin of SARS-CoV-2 and of investigating both natural-spillover and research-related-spillover, whom Harrison and Sachs thank “for helpful commentary on the manuscript,” spelled out some of the other Covid coincidences that he considers questionable, including its initial outbreak in a city that, well before 2019, had already been pegged as a biosafety risk. Ebright also noted Wuhan’s 1,000-mile distance from the nearest wild bats that carry the type of SARS-related coronaviruses that caused the pandemic. And he pointed to the particular coding of the amino acids in the furin cleavage site of SARS-CoV2.

“The sequence encoding the FCS of the pandemic virus contained two consecutive CGG arginine codons,” Ebright explained in his email. (A codon, or a combination of three nucleotides, supplies the genetic code for a single amino acid, though most amino acids can be represented by multiple different codons. Each nucleotide is represented by a letter — for RNA, either A, C, U, or G.) “This codon usage is unusual for a natural bat SARS-related coronaviruses (for which fewer than 1 in 30 arginine codons are CGG) but is optimal for humans (for which most arginine codons are CGG codons).”

Still, Ebright said that at first he didn’t see the identical amino acid sequences as particularly suspicious. “I had known for more than a year that there was a perfect match to an eight-amino acid sequence present in human ENaC. What I had not known was that the sequence was known to be a functional furin cleavage site and that it was a sequence extensively studied at UNC,” he said. “The crucial point that the ENaC sequence was a known functional site, not just that there happens to be a match to a protein that happens to be in humans. … That suddenly turned it from what I thought to be largely irrelevant to being a logical and obvious choice to proceed.”

Vangelis, Oscar-Winning Composer, Dies at 79 | Pitchfork

In 1973, Vangelis started his solo career with his debut album Fais que ton rêve soit plus long que la nuit (Make Your Dream Last Longer Than the Night). During the ’70s, he was widely rumored to join the prog-rock band Yes, following the departure of keyboardist Rick Wakeman. After rehearsing with them for months, Vangelis declined to join the group. He and Yes lead vocalist Jon Anderson reunited later in the ’80s, and they went on to release several albums together as Jon and Vangelis.

Personally, extremely influential musician.

The Sea Wolf (1941) **

Sturdy, old Hollywood adaptation plays it too safe to be memorable.

The Last Picture Show (1971) ****

Bogdanovich has a terrific script and nails the casting, design and direction. Powerful performances from nearly entire cast. Stark, beautiful images of an ugly, dying world.